Tag Archives: Quilts
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.”
― William Blake,
This piece started with a beautiful hand dyed fabric made by a friend of mine. At first glimpse, you might think that it’s a midnight blue – then the diversity of colors and shades becomes gradually apparent. As with so many pieces that I come by, I just can’t bring myself to cut them up into little pieces, but need to find a way to be able to see and enjoy the entirety of the piece.
The applique overlaying the hand dyed piece is once again, a variation on the Celtic Waldalgesheim pattern dated between 500-350 BC. It is reversed appliqued. As the design came to life, as I was working on it, it also reminded me of the ancient Welsh story of Arianrhod – Goddess of the Silver Wheel. It was said that Arionrhod was able to shape shift into a large owl, and through the great eyes, was able to see into the darkness of human subconsciousness and the soul. This owl is winking suspiciously!
The piece is 28 x 42 inches. It is hand appliqued and hand quilted.
The last two photos are to get a closer look at the depth in the underneath fabric.
“Great wine requires a mad man to grow the vine, a wise man to watch over it, a lucid poet to make it, and a lover to drink it.” – Salvador Dali
When I was in high school (many moons ago!) our family hosted a French student for the school year. I didn’t know much about the world beyond Iowa at that time and this was an incredible opportunity for my family to widen our horizons. Jocy had lived many places in France, but her heart always remained in the regions of Beaujolais where her family had deep roots. As we became young women, and our families grew, and we were both deeply involved in family and careers, we lost touch. Many attempts were made to reconnect, without much success, until I opened up Facebook about a year and a half ago and had a “friend request” from my long lost friend. What an incredible surprise! Correspondence ensued and I just returned from spending 10 days in France with Jocy experiencing the part of France that she loves most. Fall is an absolutely beautiful time to visit Lyon and the Beaujolais wine region of France. Of course, I’m a quilter and I spent days and days pondering what I could take to France that wouldn’t take up all of my luggage. I found a wonderful fabric print of a world map and overlaid the map with a traditional celtic design. Along the edges, I added four designs in seminole strip piecing to represent America. The piece is hand appliqued and hand quilted. It measure approximately 28 x 46 inches.
These show the seminole pieced border in more detail.
One of the most beautiful places that we visited was the medieval village of Pérouges. Pérouges is a commune in the Ain department in eastern France. It is a medieval walled town that is perched on a small hill that overlooks the plain of the Ain River. The town was was inhabited by craftsmen; mainly farmers and linen weavers. It was probably founded by a Gallic colony. In 1167, the Seigneur d’Anthon famously shut the commune’s walls against the troops of the Archbishop of Lyon, and as early as 1236 the inhabitants earned communal freedom. In 1601 the town officially became French. Until the end of the 18th century, the textile industry in Pérouges boomed. (wikipedia)
The visit to France and the renewal of an old friendship was beautiful!
I found the background fabric for the spirals on a sale table in a shop in Virginia. I couldn’t bear to cut it up, so decided to put the spirals on the top of each so the wonderful marbling on the fabric could still show. The quilt is then outlined with random length blocks to show off the designs. Aiden Meehan has done a series of books that are extremely helpful in drafting celtic designs and he also does a wonderful job of historical and developmental aspects of the designs.
Here are close ups of two of the spirals.
The quilts is 50×64 inches. Designs are hand appliqued and the quilt is hand quilted in black thread. Here’s a peek at the back.
The sky is gray, the atmosphere is very gloomy and it is so cold outside. But I got some great news today. My quilt that has been on loan to the “500 Traditional Quilts” tour is going to make it’s final appearance in the International Quilt Festival in Chicago from April 4 through April 7, 2016. It was really exciting to get this news.
Cha sgeul-rùin e ‘s fios aig triùir air.
It’s no secret if three know it. Celtic proverb
I have become intrigued with ancient Celtic art. Aidan Meehan has published a series of books of Celtic design that cover the history of the patterns and good instructions for drafting the patterns. I’ve been studying particularly the spiral and knotwork patterns. As quilting is my art expressions, I couldn’t resist incorporating some of the designs into quilts.
The blue triangular knotwork is an Ulbster knot and is seen in the Lindisfarne folio. Most knotwork is seen in stone carvings.
The knotwork was bias binding made out of variegated blue fabric and hand appliqued on to the back piece.
The central design is a triskele roundele. The golden age of triskele roundels was approximately 650-850 AD. The triskele is highlighted with copper colored fancy cording couched around the design.
The background and outside borders are hand crosshatched with a spiral highlighted in each corner.
The piece is approximately 52 x 52 inches and is hand appliqued and hand quilted.