Tag Archives: celtic

Spring to summer

We cannot stop the winter or the summer from coming. We cannot stop the spring or the fall or make them other than they are. They are gifts from the universe that we cannot refuse. But we can choose what we will contribute to life when each arrives. Gary Zukav
Spring has arrived.  Hints of summer are evident in the heat the last few days.  The garden is being planted.  The weeds are coming up!  The colors are changing!  The latest quilt reminds me of the greens of spring and the turquoises of the melting streams.


The central panel is a hand dyed fabric in the shibori style.  The central appliqué design is from a  Celtic circular bronze shield boss dredged from the river Thames near Wardsworth, London, England and estimated to be from approximately 300-200 BC.

The quilt is approximately 54 x70 “.  It is hand appliqued and hand quilted.  Completed 2017.

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Filed under applique, Celtic, celtic design, quilting, quilting, quilts

Ma soeur française

“Great wine requires a mad man to grow the vine, a wise man to watch over it, a lucid poet to make it, and a lover to drink it.”Salvador Dali

When I was in high school (many moons ago!) our family hosted a French student for the school year.  I didn’t know much about the world beyond Iowa at that time and this was an incredible opportunity for my family to widen our horizons.  Jocy had lived many places in France, but her heart always remained in the regions of Beaujolais where her family had deep roots.  As we became young women, and our families grew, and we were both deeply involved in family and careers, we lost touch.  Many attempts were made to reconnect, without much success, until I opened up Facebook about a year and a half ago and had a “friend request” from my long lost friend.  What an incredible surprise!  Correspondence ensued and I just returned from spending 10 days in France with Jocy experiencing the part of France that she loves most.  Fall is an absolutely beautiful time to visit Lyon and the Beaujolais wine region of France.  Of course,  I’m a quilter and I spent days and days pondering what I could take to France that wouldn’t take up all of my luggage.  I found a wonderful fabric print of a world map and overlaid the map with a traditional celtic design.  Along the edges, I added four designs in seminole strip piecing to represent America.  The piece is hand appliqued and hand quilted. It measure approximately 28 x 46 inches.

2-1-1These show the seminole pieced border in more detail.

One of the most beautiful places that we visited was the medieval village of Pérouges.  Pérouges is a commune in the Ain department in eastern France. It is a medieval walled town that is perched on a small hill that overlooks the plain of the Ain River.  The town was was inhabited by craftsmen; mainly farmers and linen weavers. It was probably founded by a Gallic colony.  In 1167, the Seigneur d’Anthon famously shut the commune’s walls against the troops of the Archbishop of Lyon, and as early as 1236 the inhabitants earned communal freedom. In 1601 the town officially became French. Until the end of the 18th century, the textile industry in Pérouges boomed. (wikipedia)

The visit to France and the renewal of an old friendship was beautiful!

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Celtic Spirals and Knotwork

Cha sgeul-rùin e ‘s fios aig triùir air.
It’s no secret if three know it.  Celtic proverb

I have become intrigued with ancient Celtic art.  Aidan Meehan has published a series of books of Celtic design that cover the history of the patterns and good instructions for drafting the patterns.  I’ve been studying particularly the spiral  and knotwork patterns.  As quilting is my art expressions, I couldn’t resist incorporating some of the designs into quilts.

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The blue  triangular knotwork is an Ulbster knot and is seen in the Lindisfarne folio.  Most knotwork is seen in stone carvings.

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The knotwork was bias binding made out of variegated blue fabric and hand appliqued on to the back piece.

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The central design is a triskele roundele.  The golden age of triskele roundels was approximately 650-850 AD.  The triskele is highlighted with copper colored fancy cording couched around the design.

The background and outside borders are hand crosshatched with a spiral highlighted in each corner.

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The piece is approximately 52 x 52 inches and is hand appliqued and hand quilted.

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